هنري كويل

هنري كويل
معلومات شخصية
	تعديل مصدري - تعديل

هنري كويل (بالإنجليزية: Henry Cowell)‏ هو عالم موسيقى وعازف بيانو وملحن أمريكي، ولد في 11 مارس 1897 في مينلو بارك في الولايات المتحدة، وتوفي في 10 ديسمبر 1965 في نيويورك في الولايات المتحدة.^[1]^[2]^[3]

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^ Cowell describes the inspiration for the piece in the commentary track he recorded for Folkways in 1963: "The Anger Dance was composed at a time when I had been very much annoyed by the fact that a doctor to whom I showed a bent-up leg suggested that it should be cut off immediately. And since I didn't in the least approve of this, and thinking of it over and over again made me more and more angry, I stomped home on my crutches, and the phrases of the Anger Dance went through my mind louder and louder as I walked home" (track 20/5:06–5:41). Cowell biographer Michael Hicks (2002) describes the work as one of Cowell's "most prescient" and "proto-minimalist" (p. 60). The piece does, in terms of structure, anticipate موسيقى حد أدنى procedures, and an interpretation by Steffen Schleiermacher from 1993 is simultaneously metronomic and jazzy in a way that reveals its kinship with the work of ستيف ريتش, in particular. But in his own 1963 recording, Cowell expresses a torment, through jagged سرعة إيقاع and ambivalent حركية (all clearly purposeful), that renders Anger Dance very different in character from the work of the American minimalists.
^ The most recent standard collection of Virgil Thomson's writings, edited by Richard Kostelanetz and published in 2002, identifies Thomson's statement as undated. The statement is excerpted at length in the liner notes to the Smithsonian Folkways CD Henry Cowell: Piano Music issued in 1993. There the quote is dated 1953, but no source is provided. Given that (a) many of the dates listed for Cowell's piano pieces in the Folkways liner notes are incorrect (see Hicks [2002], p. 80, for more on that topic) and (b) Thomson refers to "experiments begun three decades ago," a date earlier than 1953 is plausible.
^ Thomson (2002), p. 167.

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في كومنز صور وملفات عن: هنري كويل

[1] Cowell describes the inspiration for the piece in the commentary track he recorded for Folkways in 1963: "The Anger Dance was composed at a time when I had been very much annoyed by the fact that a doctor to whom I showed a bent-up leg suggested that it should be cut off immediately. And since I didn't in the least approve of this, and thinking of it over and over again made me more and more angry, I stomped home on my crutches, and the phrases of the Anger Dance went through my mind louder and louder as I walked home" (track 20/5:06–5:41). Cowell biographer Michael Hicks (2002) describes the work as one of Cowell's "most prescient" and "proto-minimalist" (p. 60). The piece does, in terms of structure, anticipate موسيقى حد أدنى procedures, and an interpretation by Steffen Schleiermacher from 1993 is simultaneously metronomic and jazzy in a way that reveals its kinship with the work of ستيف ريتش, in particular. But in his own 1963 recording, Cowell expresses a torment, through jagged سرعة إيقاع and ambivalent حركية (all clearly purposeful), that renders Anger Dance very different in character from the work of the American minimalists.

[2] The most recent standard collection of Virgil Thomson's writings, edited by Richard Kostelanetz and published in 2002, identifies Thomson's statement as undated. The statement is excerpted at length in the liner notes to the Smithsonian Folkways CD Henry Cowell: Piano Music issued in 1993. There the quote is dated 1953, but no source is provided. Given that (a) many of the dates listed for Cowell's piano pieces in the Folkways liner notes are incorrect (see Hicks [2002], p. 80, for more on that topic) and (b) Thomson refers to "experiments begun three decades ago," a date earlier than 1953 is plausible.

[3] Thomson (2002), p. 167.

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[2]

[3]

هنري كويل

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